For the past eight years election days have sucked for me. I remember going to bed on election day 2000 with Al Gore having been declared the winner in Florida. I slept like a baby, safe in the knowledge that the Clinton legacy would be secure. Secure in the knowledge that the American people had made the right choice. I woke up around 6 a.m. and turned it to Fox News only to be greeted with the breaking news: Florida Too Close To Call. The nightmare had only begun.
I was old enough to vote in 2002 and did so, casting my first vote for Rep. Jim Matheson in the Sally Mauro gymnasium, my old elementary school. It felt good to do something meaningful for my country and my party, the party of my fathers. The Madrigals have been Democrats for at least as far back as Franklin Delano Roosevelt. They were union Democrats, the kind of people that had three pictures on their living room walls: a picture of Jesus, a picture of the current Pope, and a picture of either FDR or John F. Kennedy. For them the only ideology that mattered was the one that would help their family. The Republicans, they knew, were out for the rich, the entrenched power. The Democrats were for the workers and the poor, the helpless, the voice crying out to be heard. In other words, they were for us.
But my vote did very little in the grand scheme of things. The Republicans went on to increase their majorities in the Senate and to cow the Democrats with ominous warnings about the threat from Al Qaeda. The following year these same Democrats stood in lockstep behind an unthoughtful president's belligerent foreign policy. A cocky, surefire, shoot from the hip philosophy that has wasted so many lives and so much treasure. It seemed as if the Democrats had forgotten themselves, destined to be ignored by the country because of their cowardice.
The next year I went to college in the heart of Salt Lake City, one of the few truly liberal places in Utah. It was good to meet other young people who could talk intelligently (and sometimes not so intelligently) about politics. It was good to talk to these people about facts and philosophy and not just the perception of a candidate or party. In other words it was good to finally grow my political convictions from just a feeling of indignant outrage to an intellectual outrage at the state of the times.
I was determined to do something, to make it so that this time would not be like last time. My brother, Joshua, was determined too. We paid attention, we watched, we read, we prepared ourselves. In January of that year I was given an opportunity to go to New Hampshire to support the candidate of my choice. I chose Howard Dean as the man who I wanted to lead my party into the general election. I believed in Dean and believe to this day that had he been put up against George W. Bush that that election may have turned out very different. But it was not to be because a week before I left Dean screamed and it no longer mattered what his policies were. He had become a caricature for the right and in the minds of the masses who paid only a passing bit of attention to the politics that shaped their lives. He was trounced in New Hampshire and I had to settle for second choice.
John Kerry was, and is, a man of honor. But he wasn't a political fighter, the kind you need to be to survive in modern American politics. He didn't seem to believe in the grand speech or the soundbite that would make the evening news. His campaign was honorable but not vivid enough. The problem was that for most of his supporters it was a campaign against Bush not for John Kerry.
I remember going to Utah Valley State College to see Michael Moore rally the troops on his Slackers Uprising Tour. It was a fairly conventional political rally, of the kind I saw while in New Hampshire. This type of thing is uncommon in Utah, to be sure, and it seemed to energize a lot of young liberals in the state. The problem was that these types of stunts equally energized the right.
On election day these energized groups came out in droves and...reelected George W. Bush and strengthened the control of the Republican Party in both houses of Congress. I was devastated. Couldn't the American people see that these men were fools? Couldn't they see that this man had turned record surpluses into massive deficits? That this man had wasted American blood and treasure in an elective war whose only purpose seemed to be to strengthen his own war powers and cow the American political process for his own purposes?
It felt like my country no longer cared about the same things I cared about. How infuriating and sad it was to believe only the worst things about my countrymen. And then there was the gloating.
Bush came on the TV the next day and proclaimed that his narrow victory in the electoral college was a mandate for him to assert his agenda even more forcefully upon the American people. With a cocksure smile he proclaimed his mandate and a new plan of conservatism for America. The American press was proclaiming the death of the Democratic Party, much as they are proclaiming the death of the Republican Party now. A common question was, "Can the Democratic Party win elections anymore?"
Yes we can.
I remember seeing Barack Obama speak at the Democratic National Convention in 2004. It was a stirring speech, to be sure. It almost seemed a throwback to the kind of Democratic optimism that characterized Kennedy and Roosevelt. Here was a candidate, a man, willing to stand up and speak the truth: We are not a country of disparate, divided interests. "There is the United States of America." It brought home to me that the kind of thoughtful politician we were told about in grade school could be alive and well in America.
When the primary season began some two years ago it seemed almost inevitable that Hillary Clinton would sweep away Democratic opposition and barrel into the Fall of 2008 with the kind of inevitable momentum that would make her the first woman President of the United States. And then a funny thing happened: Barack Obama began to speak. I've heard a lot about Obama's rhetoric, mainly with a skeptical eye towards a sly politician. And yet these people seem not to recognize that sophism and philosophy are not necessarily in conflict. A beautiful word can be the reflection of a beautiful idea. And a clunky, broken phrase does not necessarily speak to wisdom or anything at all. Words in themselves are lifeless, it takes a man or woman to bring them to vivid reality. Every right action should begin with an idea, who's expression through action can be shared through the medium of speech. Speech, then, is only a phase of thought on the way to purposeful action.
Perhaps this an explanation of Obama's success. Perhaps America was so moved by the idea of Obama and his speech that action became inevitable. And yet behind this was a keen set of minds that set their sights on the opposition, their strengths and weakness, and set about thoroughly destroying them.
I feel almost sorry for a country or terrorist organization going up against Obama or Axelrod or Plouffe. These men orchestrated one of the most brilliant campaigns in American history. They not only dismantled one of the most well funded, organized, and popular candidates in the history of the Democratic Party in Hillary Clinton, they also destroyed the Rove-Republican establishment. Four years ago it was asked if Democrats could win elections anymore, not it's being asked how many decades it will take for the Republicans to recover. To be sure, George W. Bush had much say in the downfall of the Republican Party, but it also took a new kind of politician to hasten the downfall.
My election night this year was very different than in years past. For the first half of it I was at an Obama calling party trying to get voters in swing states out to the polls. Good news came early: despite McCain's last ditch efforts, Pennsylvania would go to Obama. When the polls closed in New Mexico I came home to await the news. The states were counted off first in a trickle and then the momentum began to build: Ohio, Florida, Indiana, Virginia! We were going to win, but why weren't they announcing it? And then at 9 P.M. Utah time, California came in like a Deus Ex Machina and made Barack Obama the president-elect.
I never thought an election would make me so emotional. It wasn't just a validation of the past eight years of struggling and griping, it seemed to be a validation of a faith in my country that always lingered in the back of my mind behind a veil of hardened skepticism. America can make the right choice afterall. I believe in no gods and yet I take this core belief in spirit of human progress as my religion. We can, if we are willing, overcome bigotry and ignorance to stand in the light of reason. To those forces that would divide us and deny to us the truth that we are a people of shared interests and that through dialogue and patient study we can unite together in peace towards the goal of a more perfect world we can stand up and shout "Enough!" and our voices will be heard.
A new day is coming in America. I am filled with nothing but optimism, even as the dark clouds of world events close in. We can overcome.
Yes we can.
Thursday, November 6, 2008
Wednesday, October 15, 2008
The spirit is willing, the body not so much.
I woke up this morning at around 5 a.m. My mouth was full of cotton so I left to get a bottle of water from the living room. I drank that down and then something strange happened: I didn't go back to sleep. Not the most startling thing to ever happen but surely something to note given my capacity for large, uninterrupted amounts of sleep. And now here I sit in my bed clothes, with my bedhead, listening to "The Bedlam in Goliath" by The Mars Volta. It's a good morning. I don't think I want to go back to sleep just yet.
Saturday, May 24, 2008
Kenny Vs. Spenny - Greatest Show Ever? Yes.
Kenny Vs. Spenny is probably the funniest show I have ever seen. In a world of Family Guy and Arrested Development that's saying a lot. But nothing has given me more belly laughs than this insane show from the boys up North.
The premise of the show is that every week two best friends (Kenny Hotz and Spencer Rice, who are also the shows co-producers) must compete against each other in competitions that seem to be dreamed up in College dorm rooms (Who can stay awake the longest? Who is the best rapper? Who does the gay guy like better? etc), the loser of which then faces a humiliation dreamed up by the victor. That's the basics. What makes the show so hilarious is Kenny Hotz's refusal to abide by the spirit of the rules and instead cheats by any means necessary to attain victory. Sometimes this means cheating at the actual event, such as when he replaced his beer with a non-alcoholic version for the drinking competition. Other times he will actively work on Spencer to stop him from competing, such as locking him in a closet to avoid the start date. What's equally as hilarious is Spencer's refusal to cheat and his indignation at Kenny when he inevitably does. The two make a great pair. The slob and the square guy. The classic odd couple.
Thinking about the show I am constantly brought back to Kenny's cheating with a chuckle. The guy seems to be willing to go to any extreme to avoid the humiliation at the end of the show. Dosing your friend with LSD to get an octopus off his head? No problem. Faking your own mother's death to get a head start in a 10 mile race? Sounds reasonable. Faking a letter from the government informing Spencer that he has AIDS so that he will bomb in a comedy competition? Par for the course. Of course none of this would be possible if Spencer wasn't so comically gullible. Any gag Kenny comes up with Spencer seems willing to buy into to an almost incredulous extreme. And there is an awful lot of speculation on the internet that the show is staged or faked at certain parts, ala Man Vs. Wild .
Faked or not, it is still hilarious. As when Kenny turns the "First One To Get A Boner Loses" competition into the "How Gay Can We Make Spenny Look" competition, there is simply nothing funnier on television. Airing in the States on Comedy Central, and, as I watched it, on YouTube, it is definitely worth a watch or two. Awesome.
The premise of the show is that every week two best friends (Kenny Hotz and Spencer Rice, who are also the shows co-producers) must compete against each other in competitions that seem to be dreamed up in College dorm rooms (Who can stay awake the longest? Who is the best rapper? Who does the gay guy like better? etc), the loser of which then faces a humiliation dreamed up by the victor. That's the basics. What makes the show so hilarious is Kenny Hotz's refusal to abide by the spirit of the rules and instead cheats by any means necessary to attain victory. Sometimes this means cheating at the actual event, such as when he replaced his beer with a non-alcoholic version for the drinking competition. Other times he will actively work on Spencer to stop him from competing, such as locking him in a closet to avoid the start date. What's equally as hilarious is Spencer's refusal to cheat and his indignation at Kenny when he inevitably does. The two make a great pair. The slob and the square guy. The classic odd couple.
Thinking about the show I am constantly brought back to Kenny's cheating with a chuckle. The guy seems to be willing to go to any extreme to avoid the humiliation at the end of the show. Dosing your friend with LSD to get an octopus off his head? No problem. Faking your own mother's death to get a head start in a 10 mile race? Sounds reasonable. Faking a letter from the government informing Spencer that he has AIDS so that he will bomb in a comedy competition? Par for the course. Of course none of this would be possible if Spencer wasn't so comically gullible. Any gag Kenny comes up with Spencer seems willing to buy into to an almost incredulous extreme. And there is an awful lot of speculation on the internet that the show is staged or faked at certain parts, ala Man Vs. Wild .
Faked or not, it is still hilarious. As when Kenny turns the "First One To Get A Boner Loses" competition into the "How Gay Can We Make Spenny Look" competition, there is simply nothing funnier on television. Airing in the States on Comedy Central, and, as I watched it, on YouTube, it is definitely worth a watch or two. Awesome.
Friday, May 23, 2008
Indiana Jones and The Curse of the Thousand Screenwriters
I've always enjoyed the Indiana Jones franchise. I was born in 1984, so I experienced these movies through VHS tapes smuggled out of my parents' library and watched over and over again. I remember my brother screaming "Kali Ma! Kali Ma!" and trying to take my still-beating heart out of my chest in between rewindings of our favorite parts. Good times.
The movies seemed to get that on some basic level a young boy would like nothing more than to travel around the world killing scores of Nazis or insane Hindu cultists while securing historical artifacts and getting the girl. O.k. so it's every grown-up man's fantasy too. It got the fantasy so right that even when it was winking at us, the franchise still kept us glued to our seats with the promise of high action and even higher mysticism.
So what to make of the newest installment, Indiana Jones and the Kingdom of the Crystal Skull? Meh. That's about all that I can summon up either way on the subject. There's some good stuff in the movie, there's some bad. But none of it is enough to move me either way. And what a sad statement that is considering this used to be one of the most exciting franchises out there.
So what went wrong? I have a strong feeling that the root of all the problems I have with this movie stem from one factor alone: the terrible wrath of the writers' strike. The huge plot holes, the tin-eared dialogue, the uninteresting characters, the rushed feel of the second act, the cut and paste mash-up of elements that never cohere into a solid whole; it seems like a rush job on an old reliable franchise. The classic Hollywood cash-grab.
The plot is largely beside the point. The gist is that the Communists want to get hold of an ancient alien artifact that will allow them to control the minds of the people of the Free World. Standing in their way is an aging Indiana Jones and Mutt Williams, played well by Shia LaBeouf.
Sounds good so far. But really all of this means one thing: Let's see Indy kick some Nazi, er, Commie ass! And we do see that, for the most part. Lots of Commie ass is kicked. Artifacts are retrieved, then lost, then regained again. Bullwhips are cracked. Exotic locations are shown and then shown getting blown up. The bad guy (er, girl) gets the deserved comeuppance. It's Indiana Jones baby!
Only it's not. Or at least it doesn't feel like it. The action scenes are too safe and marred by CGI. Plot devices are introduced, such as Indiana Jones being blacklisted by the FBI for being a communist sympathizer, and then forgotten. Entire plot points hinge on Indiana Jones or other characters doing things that anyone with half a brain would never do, or at least not do that way (such as Indiana Jones giving the Russians the Roswell alien, etc.) The mysterious artifact has immense and important magnetic properties one minute when it suits the plot and then is forgotten in the next scene. A character changes sides, or appears to change sides, three times during the movie and the only explanation for why seems to be because the writers couldn't figure out a way to keep the Commies on Indiana Jones's trail otherwise. And the final shot in the jungle left me feeling more tired than awed.
For lovers of the franchise there is a lot of winking in the film to past installments. But instead of being funny or interesting, most of the back looking only serves to make us want to watch the better movies.
The movies seemed to get that on some basic level a young boy would like nothing more than to travel around the world killing scores of Nazis or insane Hindu cultists while securing historical artifacts and getting the girl. O.k. so it's every grown-up man's fantasy too. It got the fantasy so right that even when it was winking at us, the franchise still kept us glued to our seats with the promise of high action and even higher mysticism.
So what to make of the newest installment, Indiana Jones and the Kingdom of the Crystal Skull? Meh. That's about all that I can summon up either way on the subject. There's some good stuff in the movie, there's some bad. But none of it is enough to move me either way. And what a sad statement that is considering this used to be one of the most exciting franchises out there.
So what went wrong? I have a strong feeling that the root of all the problems I have with this movie stem from one factor alone: the terrible wrath of the writers' strike. The huge plot holes, the tin-eared dialogue, the uninteresting characters, the rushed feel of the second act, the cut and paste mash-up of elements that never cohere into a solid whole; it seems like a rush job on an old reliable franchise. The classic Hollywood cash-grab.
The plot is largely beside the point. The gist is that the Communists want to get hold of an ancient alien artifact that will allow them to control the minds of the people of the Free World. Standing in their way is an aging Indiana Jones and Mutt Williams, played well by Shia LaBeouf.
Sounds good so far. But really all of this means one thing: Let's see Indy kick some Nazi, er, Commie ass! And we do see that, for the most part. Lots of Commie ass is kicked. Artifacts are retrieved, then lost, then regained again. Bullwhips are cracked. Exotic locations are shown and then shown getting blown up. The bad guy (er, girl) gets the deserved comeuppance. It's Indiana Jones baby!
Only it's not. Or at least it doesn't feel like it. The action scenes are too safe and marred by CGI. Plot devices are introduced, such as Indiana Jones being blacklisted by the FBI for being a communist sympathizer, and then forgotten. Entire plot points hinge on Indiana Jones or other characters doing things that anyone with half a brain would never do, or at least not do that way (such as Indiana Jones giving the Russians the Roswell alien, etc.) The mysterious artifact has immense and important magnetic properties one minute when it suits the plot and then is forgotten in the next scene. A character changes sides, or appears to change sides, three times during the movie and the only explanation for why seems to be because the writers couldn't figure out a way to keep the Commies on Indiana Jones's trail otherwise. And the final shot in the jungle left me feeling more tired than awed.
For lovers of the franchise there is a lot of winking in the film to past installments. But instead of being funny or interesting, most of the back looking only serves to make us want to watch the better movies.
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